Art Yourself Atelier is thrilled to announce Elisa Cella's solo exhibition on our platform
Artist's Biography
Elisa Cella was born in Genova in 1974, she lives and works in Monza (MB). She studied Mathematics at Università Statale of Milan, after the diploma in scientific high school.
About the Solo Exhibition
Beauty, mystery and wonder are contained in every direction in which human beings decide to investigate the world, from the infinitely small to the size of the universe.
This beauty is full of questions and ethical problems that knowledge offers us from time to time.
A cell that duplicates itself: apparently a very simple gesture, which is the basis of life. And yet, we do not fully know how this happens and how it is possible to pass from a stone to a body.
Margherita Hack once proposed the hypothesis that the link between inanimate matter and life could be that animating is a characteristic of matter itself.
Niels Bohr, diving into the quantum and multidimensional world of particles, ended up saying that deep down we are something real constituted by something unreal, extraneous to our vision confined in the three or four dimensions that we perceive and inhabit.
Elisa’s works draw inspiration from this: from the microscope images, from the theories, from the questions that human beings has always placed themselves, from mystery, from an immanent vision of reality.
Elisa’s way of representing is a pictorial reworking and recently also sculptural and installative ones, of all this things, using the circle as the basic module.
The circle rings Elisa’s obsessiveness and is an archetypal figure that has multiple connections: the eggcell from which we were born is round, the opening through which we came into the world is roughly round, we find us on a spherical planet rotating on itself and in orbit around a spherical sun, when we want to draw an object whose shape you do not know you draw a circle, the first shape that a newborn recognizes is the circle, only for give some examples among many.
Elisa’s circles in paintings are handmade, she doesn’t use normographers, compasses or forms. In some paintings are left more imperfect in others, however, are more controlled.
Technical work is a constant tension between control and freedom of gesture. Imperfection is an important feature of her work.
In recent years Elisa has been experimenting with new materials and techniques, her work remains with a strong two-dimensional component, but the installation and the lights and shadows make it inhabit the space in a different and unexpected way.
Her works, on the other hand, come to life on their own regardless of her intentions. A geometric-abstract life. She calls them Bio-Abstraction.
Her Solo Exhibition
2021 Umbertide (PG)
Tre Artiste Tre
Rocca di Umbertide
2019 Monza (MB)
L’impossibilità del reale
Villa Contemporary Art Gallery
2019 Brescia
Angolo di contatto
Azimut Space in collaboration with E3 Art Contemporary Gallery
2015 Brescia
Sensazione Concava
E3 Art Contemporary Gallery
2015 Santo Stefano d’Aveto (GE)
Elisa Cella solo show and Media, Video e Corpi Gloriosi Videofusion show Castello Fieschi-Doria-Malaspina
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Her Group Exhibition
2021 Casale Monferrato (AL)
L’ora di Mosca - Esperienza #2
Paleologi Castle
2021 Corciano (PG)
+Divenire, Dove inizia il nuovo esodo San Francesco Museum Church
2021 Leffe (BG)
Rinascite - La società del rischio
BACS
2021 Missaglia (LC)
Seven - l’arte interpreta i sette vizi capitali
Monastery of Mercy
2021 Italy
Master Artist 2021 she is the winner
2021 Italy
Exibart Prize 2020 she is a finalist
2021 Monza (MB) Esercizi di Purezza
Villa Contemporanea Gallery
2021 Genoa
20x20 eventi 2020!
UnimediaModern Contemporary Art Gallery
2021 Genoa
one of her drawings enters the permanent collection Villa Croce Museum
2021 Pisogne (BS)
Gabbia-no
Santa Maria della Neve Church
2020 Monza (MB)
I Temi dell’Arte: Autoritratto Binario 7 Theatre
2020 Lecco
I Temi dell’Arte: Nudo e Figura Torre Viscontea
2020 Salò (BS)
one of her drawnings enters the permanent collection Civica Raccolta del Disegno
2020 Santo Stefano d'Aveto (GE)
La bellezza resta. Malaspina-Fieschi-Doria Castle
2020 Pinerolo (TO) Futura
Vittone Palace
2019 Lissone (MB) permanently exposed work Museum of Contemporary Art
2019 Racalmuto (AG)
one painting of her is permanently exposed Pinacoteca of Chiaramontano Castle
2019 Merate (LC)
La bellezza resta.
Town Hall
2019 Bergamo
Buste Dipinte
Social Theatre
2019 Carnago (VA)
La bellezza resta.
San Rocco Church
2018 Monza (MB)
Material
Olmea Palace
2018 Milano
Buste Dipinte
Laboratorio Formentini, ex Rectory of San Carpoforo Church in Brera
2018 Klausen (BZ)
La bellezza resta.
Stadtmuseum
2018 Pinerolo (TO)
OASI
Sant'Agostino Church
2018 L’Aquila
La bellezza resta.
Palazzetto dei Nobili
2017 Brescia
Analitica 70 e nuove prospettive
E3 Contemporary Art Gallery
2017 Monza (MB)
Estetica Matematica
Villa Contemporanea Gallery
2017 Graz (A)
Kunst Heilt Medizin - Zehen Werke
Faculty of Theology, University of Graz
2017 Gazoldo degli Ippoliti (MN)
ContemporaneaMente.2
MAM Museum, Villa Ippoliti
2017 Pinerolo (TO)
Dietrolequinte
Teatro Sociale
2017 Piacenza
La bellezza resta.
Biffi Art Gallery
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